Category Archives: call for submission

Call for partecipation for the 17th International Conference on Auditory Display 2011

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The 17th International Conference on Auditory Display is an interdisciplinary event dedicated to researchers, practitioners, artists and students working in the use of sound to convey information and ideas. It will be held in Budapest, Hungary, July 20-24 2011.

The call for submission is dedicated to papers, posters, sonifications/compositions/aural submissions/demos, workshops/tutorials/panels. There is also a very interesting sonification contest.

Topics include, but are not limited to:

  • 3D and Spatial Audio
  • Aesthetics, Philosophy, and Culture of Auditory Displays
  • Accessibility
  • Applications
  • Auditory Scene Design
  • Design Theory and Methods
  • Evaluation and Usability
  • Human Factors and Interaction
  • Mappings from Data to Sound
  • Psychology, Cognition, Perception, and Psychoacoustics
  • Sonification and Exploration of Data through Sound
  • Sound as Art
  • Technologies and Tools

For more information visit the contact page.

Call for music and papers for the 8th Sound and Music Computing Conference 2011

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The 2011 8th Sound and Music Computing Conference is the forum for international exchanges around the core interdisciplinary topics of Sound and Music Computing. It will be hosted by Conservatory Cesare Pollini at the University of Padova, Italy, July 06-09 2011.

The calls for submission are two: music and paper. Important dates are here.

These are the conference topics:

  • 3D sound/music
  • Auditory display and data sonification
  • Automatic separation, recognition, classification of sound and music
  • Automatic music generation/accompaniment systems
  • Computational musicology
  • Computer environments for sound/music processing
  • Content processing of music audio signals
  • Digital audio effects
  • Interactive performance systems
  • Interfaces for sound and music
  • Models for sound analysis and synthesis
  • Multimodality in sound and music computing
  • Music and robotics
  • Music information retrieval
  • Music performance analysis and rendering
  • Perception and cognition of sound and music
  • Social interaction in sound and music computing
  • Sonic interaction design
  • Sound and music for VR and games
  • Sound/music and the neurosciences
  • Sound/music signal processing algorithms
  • Technologies for the preservation, access and modelling of musical heritage

For more information visit the contact page.

Call for music and papers for the International Computer Music Conference 2011

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The 2011 International Computer Music Conference will be hosted by Centre for Research in New Music at the University of Huddersfield, England, from July 31 to August 5 2011.

The calls for submission are two: music and paper. The main deadline is 18 January 2011.

For more information visit the contact page.

Keep an ear on – forum for acoustic ecology symposium

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The 2011 edition of the International Soundscape Symposium will take place in May in the wonderful frame of Tempo Reale @Villa Strozzi, Florence. The symposium will be held by Tempo Reale and the Forum Klanglandschaft together with the contemporary art centre EX3. The call is open for soundart works and scientific papers and the deadline is 30th of October. The complete call is downloadable on the Tempo Reale website.

Call for works Premio Germi 2010, Italy

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Composers of any age or nationality may submit Works scored for Ensemble Spaziomusica: from a minimum of one to a maximum of four performers, without conductor, according to the following instruments: flute, piano, soprano voice and percussion with or without electronics. No Live Electronics. Duration: between 4 and 12 minutes.

Deadline: October, 04 2010 Entry fee: euro 50 for one score, and euro 30 per score if more than one is submitted.

Awards: The three winning scores will be performed, publlshed and recorded. First piece will be awarded a cash prize of euro 1.000,00 (one thousand). The score sheet and the audio CD will be published by Casa Editrice Sconfinarte. Three selected works will be performed during the 2nd International Composition Competition PREMIO G.E.R.M.I. 2010 and will be replayed during the 4th edition of the REBUS FESTIVAL which will be held in Milan in October 2011.

Associazione Culturale G.E.R.M.I.
Gruppo Europeo Ricerca Musicale Indipendente
Sede legale: Via della Bufalotta, 23 sc. B Int. 5
00139 – Roma (I)
Tel / Fax: +39 06 8175273
www.associazionegermi.eu
info@associazionegermi.eu

Call for entry for The Motion Graphics Festival

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The Motion Graphics Festival 2010 showcases sound design, motion design, and interactive arts in six major cities across the US, and hosts screenings in over thirty theatres.

The call for entries accepts also works on sound effects & sound for film. These are the deadlines:

  • San Francisco deadline: July 15th for the festival in August;
  • Chicago deadline: August 15th for the festival in September;
  • Austin deadline: September 15th for the festival in October;
  • Washington DC deadline: October 15th for the festival in November.

Call from ((audience))

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Conceived in 2006, ((audience)) is an unprecedented project that explores the cinema as a 21st century concert hall. It is dedicated to the advancement of aural arts by providing wide distribution and new contexts for works by emerging and established sound artists and composers.

This year Festival is calling for 5.1 sound works to be performed in dark with a full 5.1 cinenma system during a 2 h 1/2 “sound film”. This “cinema in the dark” program will tour to partnering organization from Dehli to Montreal.

The deadline for the sumbission of the multichannel sound works is September, the 5th. Submission are encouraged either by sound artists and composers and by sound designers, foley artistis, sound engineers.

Cinesonika call for works and papers

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The first Cinesonika Festival, held by the Simon Fraser University of Interactive Arts&Technology of Surrey, Canada, is calling for works in the field of sound design and sonification for the moving image.

The theme of this international film and video festival is to celebrate the soundtrack. Usually in cinema festivals there is a fixation on movie stars, or captivating imagery, or the literary qualities of screenplays, or the abstract concepts of film theory. Sound tends to be relatively unvalorized in moving-image making. The intent of the festival is to give attention to innovative work in the creation of film and video soundtracks, and to give due credit to the importance of audio in audiovisual media. This first annual festival will showcase international works of film and video with fascinating soundtracks, idiosyncratic sound design, eclectic scoring and innovative approaches to the sound-image relationship.

Deadline is the 1st of September for your audiovisual works, and the 31st of July for your papers’ abstract. The full paper deadline is set by the 15th of September.

Call for papers and cases for Audio Branding Congress 2010

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The Audio Branding Academy is organizing the 2nd Audio Branding Congress that will held in Hamburg on November 5th 2010.

The Academy is promoting two different calls for submission for this editions of the congress: papers and cases.

Call for papers

A call for scientific papers for researchers in the fields of Sound and music in corporate communications and Multisensory Branding/Design. Best submissions will be presented as a talk or as a poster within a scientific forum.

Submission deadline: August 31, 2010.

Call for cases

A call for best practice cases for brands and agencies in the field of Audio branding and Music marketing. The most interesting cases will be presented on the website of the Audio Branding Academy to let the public vote on them. Cases which received the most votes will be presented at the Audio Branding Congress 2010 and published in the Audio Branding Academy Yearbook.

Submission deadline: July 30, 2010.

Electronic Music Degree at the Conservatorio of Bologna

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The 31st of July is the final deadline for applying to the Electronic Music first degree at the Conservatorio of Bologna. The course is headed by the composer Lelio Camilleri and Francesco Giomi, head of Tempo Reale, Florence. The three year course is organised along four main subjects: electroacoustic composition, history and analisys of electroacoustic music, sound and image, DSP and sound diffusion techniques. For more info, contact Lelio Camilleri at info@leliocamilleri.it or visit the Conservatorio website.